【作者简介】 罗斯·金(Ross King，1962—)，加拿大学者、畅销书作家，长期在欧洲和北美讲学。著有《莱昂纳多和最后的晚餐》、《米开朗琪罗与教皇的天花板》、《布鲁内莱斯基的穹顶》（《圆顶的故事》）、《帕里斯的裁判》、《马基雅维利：权力的哲学家》及两本小说《藏书票》和《多米诺》。 【译者简介】 冯璇，北京外国语大学英语学院毕业，曾在出版社从事版权工作，现在专门从事翻译工作，已经翻译出版了《郁金香热》、《美第奇家族的兴衰》、《安第斯山脉的生与死》、《印加帝国的末日》、《布鲁内莱斯基的穹顶》、《皮毛、财富和帝国》、《利维坦：美国捕鲸史》等作品。

While the Civil War raged in America, another revolution took shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been quite so controversial. The drama of its bir...(展开全部)

The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the ...(展开全部)

The Critique of the Power of Judgment (a more accurate rendition of what has hitherto been translated as the Critique of Judgment) is the third of Kant's great critiques following the Critique of Pure Reason and the Critique of Practical Reason. This translation of Kant's masterpiece follows the principles and high standards of all other volumes in The Cambridge Edition of the ...(展开全部)

Barbara Herman argues for a radical shift in the way we perceive Kant's ethics. She reinterprets the key texts, at once allowing Kant to mean what he says while showing that what Kant says makes good moral sense. She urges us to abandon the tradition that describes Kantian ethics as deontology, a moral system of rules of duty. She finds the central idea of Kantian ethics not in...(展开全部)

Barbara Herman argues for a radical shift in the way we perceive Kant's ethics. She convincingly reinterprets the key texts, at once allowing Kant to mean what he says while showing that what Kant says makes good moral sense. She urges us to abandon the tradition that describes Kantian ethics as a deontology, a moral system of rules of duty. She finds the central idea of Kantia...(展开全部)

Barbara Herman argues for a radical shift in the way we perceive Kant's ethics. She reinterprets the key texts, at once allowing Kant to mean what he says while showing that what Kant says makes good moral sense. She urges us to abandon the tradition that describes Kantian ethics as deontology, a moral system of rules of duty. She finds the central idea of Kantian ethics not in...(展开全部)

Barbara Herman argues for a radical shift in the way we perceive Kant's ethics. She convincingly reinterprets the key texts, at once allowing Kant to mean what he says while showing that what Kant says makes good moral sense. She urges us to abandon the tradition that describes Kantian ethics as a deontology, a moral system of rules of duty. She finds the central idea of Kantia...(展开全部)

The Hangman of Paris is set in France around the time of the Revolution and centers on Charles-Henri de Sanson, the country's most famous hangman. Born into a family of executioners, young Sanson was not given a choice. He wantd to study medicine and learn how to cure people, but his family demanded that he follow in his father's foosteps—killng, not healing. Sanson becomes a v...(展开全部)

Part of Emile Zola’s multigenerational Rougon-Macquart saga, The Belly of Paris is the story of Florent Quenu, a wrongly accused man who escapes imprisonment on Devil’s Island. Returning to his native Paris, Florent finds a city he barely recognizes, with its working classes displaced to make way for broad boulevards and bourgeois flats. Living with his brother’s family in th...(展开全部)